Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

Twitter
Other Music
Last Month's Top Sellers

1. TAME IMPALA - The Slow Rush
2. SARAH HARMER - Are We Gone
3. YOLA - Walk Through Fire
4. DESTROYER - Have We Met
5. DRIVE BY TRUCKERS - Unravelling

Click here for full list.

Search

FEATURED RELEASES

Entries in Soul/Funk (155)

Monday
Aug252014

TAYLOR McFERRIN - Early Riser

While we collectively wait for Flying Lotus' You're Dead! to be fully unveiled, take a listen to this underappreciated recent Brainfeeder release, as McFerrin's programmed-but-played, wonky-yet-sleek, collaborations-friendly approach is a perfect fit for the label while still managing to put his own distinct personality into the proceedings.

"A new breed of jazz-influenced musicians are seeing fit to explore the music's once seemingly endless possibilities, developing a new vocabulary that incorporates myriad contemporary styles and ideas alongside the traditional notions of what jazz could or should be. Making a clear point to distance himself from the a cappella work for which his father is most famous, the younger McFerrin shrouds his compositions on Early Riser in a wide range of contemporary and throwback sonic textures that simultaneously look to the past for inspiration and the future for direction. Largely eschewing vocals, McFerrin lets his instrumental chops do the talking, crafting lush soundscapes via his various keyboards within which he then incorporates a number of hip hop-indebted touches. Skittering beats, odd synth textures and hushed, bedroom vocals all compete for supremacy, entering and exiting the mix in a gauzily lysergic manner that lends the music an organic, undulating feel." - PopMatters

Thursday
Jul242014

VA - Eccentric Soul: The Way Out Label

We recently received a call from a customer looking to track down a song their toddler was groovin' to in the shop. Well, after some detective work we determined it was the fantastic "Demanding Man" by The Sensations from this wonderful collection of Cleveland soul. There are many other danceable groovers on here, as well as some deeper soul, like the fabulous "I've Got Everything I Need" by The Soul Notes. 

"Fueled by the financial drippings of number runners and boosted by Hall-of-Fame running back Jim Brown, Cleveland, Ohio's Way Out Records offered asylum for a rising crop of rogue soul men, rust-belt vocal ensembles, and trial-by-fire producers. Helmed by a friendly consortium of hustlers, police officers, and gridiron giants, pet project beget obsession as Motown arrangers, gospel choirs, and the Cleveland Symphony Orchestra were all beckoned to the wrong side of the tracks to mint masterpieces for the Sensations, Volcanic Eruption, the Exceptional Three, and Bobby Wade, all beneath the mindful gaze of a wall-mounted shotgun. Reaching their peak in the late '60s, Eccentric Soul: The Way Out Label gathers the brightest moments from the quirky operation's eleven year bid." - Numero Group

Thursday
Jun192014

THE SUPERBS - The Best Of The Superbs

Kent Records has released a few soul group harmony compilations in the past, including the solid Soul In Harmony release from last December. Here, the label's focus is on just one group, LA's Superbs, who play a pleasing hybrid of doo-wop and early soul styles that should appeal to fans of both genres. A particular highlight is the finale of 'The Big Hurt,' when a mind-blowing falsetto appears out of nowhere, putting an exclamation point on the agony of waiting for the final argument that ends a relationship.

"One R&B hit with 'Baby, Baby All The Time' is a poor return for the 25 singles The Superbs had on the Doré label between 1964 and 1987, and does not reflect the importance the group had on the Los Angeles soul harmony scene. Their enduring popularity and the high esteem in which they are held by soul music lovers in the USA is a truer indication of their impact. The Low Rider scene in LA in particular looks on them as demigods. They had their own instantly recognisable sound, a feature that can be attributed to only a handful of soul groups. It's the ballad side of their work that appeals to soul harmony collectors. Although their sound can be quite sweet, the subtle early Gene Page arrangements and clever song selection makes their music appealing to all soul fans." - Ace Records

Thursday
Jun122014

DJANGO DJANGO - LateNightTales

Eclectic without sacrificing form and flow, Django Django deliver a LateNightTales mix that effortlessly flits from jazz-funk to contemporary bass tracks to sunshine psych to yacht rock and back again, while also introducing us to the stunning "Poor Moon," what must be the most entrancing Blind Owl-sung Canned Heat song we'd never heard.

"At one end of the Django spectrum there's James Last, the terminally unhip Teuton, whose 'Inner City Blues' shows you can never underestimate the Germans, while at the far reaches of the mix, they manage to sneak in Ramadanman ('Bass Drums') and Hudson Mohawke and Lunice collaboration TNGHT's 'Bugg'n.' You can hear the echoes of influences in some of the selections, like The Beach Boys whose peerless 'Surf's Up' makes a welcome appearance halfway through, while Seals & Crofts' 'Get Closer' show what sun-drenched pop can sound like when it's done well.

And because it's Late Night Tales there's a sparkling cover version of 'Porpoise Song,' the theme from The Monkees daffily brilliant Head, an admirably lysergic termination to this waltz through pop's nooks and cranberries. "You should never be afraid to make a fool of yourself for art," Dave Maclean once said. Let's raise a dram to Scotland's favourite fools on the hill." - LateNightTales
Friday
Jun062014

VA - Too Slow To Disco Vol. 1

This mix of laid-back '70s soft-rock/pop/folk/jazz tracks and artists both familiar (including the Brothers both Doobie and Alessi, Fleetwood Mac, Chicago, Tony Joe White, Jan Hammer, and the recently-reviewed Ned Doheny, whose signature song "Get It Up For Love" opens the track listing) and new to us (hey there Browning Bryant, Brian Elliot, Don Brown, David Batteau and Robbie Dupree) has us hoping for/looking forward to future installments from upstart label How Do You Are?

"To turn your nose up at yacht rock and the Too Slow To Disco compliation would be to miss out on some fantastic songs, from the expert craftsmanship of Ned Doheny to the shimmy and swagger of Browning Bryant. Music trends really are cyclical, and this compendium is proof that you can’t keep good music down forever." - Sabotage Times

Wednesday
May282014

VA - Bowie Heard Them Here First

Following up on the soul/girl group focus of the Dusty Springfield edition of the always interesting Heard Them Here First series, this selection of songs covered by David Bowie is an eclectic mix of genres, to be expected given the chameleonic nature of his career. If you thought "Alabama Song" was first performed by the Doors (as I did), pick this up and hear who really recorded it first. The perpetual journey of musical discovery continues...

"The latest release in our Heard Them Here First series traces the career of David Bowie via an eclectic selection of the other writers’ songs he chose to record...As one might expect from the chameleonic Bowie, the featured tracks emanate from a diverse array of musical genres, eras and artists, from Lotte Lenya & the Three Admirals' 1930 recording of Bertolt Brecht & Kurt Weill’s 'Alabama Song' to the Pixies' spiky 'Cactus' from 1988's Surfer Rosa. Other unlikely bedfellows: Johnny Mathis and Iggy Pop; Bobby Bland and the Velvet Underground; Jacques Brel and Chuck Berry; Martha & the Vandellas and Jonathan Richman & the Modern Lovers, make for a strikingly wide-ranging programme." - Ace Records

Saturday
May242014

NED DOHENY - Separate Oceans

While we will have to ask you to keep your shirt on when in our shop, this new Numero single-disc anthology is your best heat-beating alternative, taking from his three '70s studio albums (one of which was Japan-only), and featuring many previously-unheard demos, including a handful of collaborations with Glenn Frey and Don Henley. If you're a fan of the likes of Jackson Browne, Boz Skaggs, Hall & Oates and Todd Rundgren but haven't yet heard Ned Doheny, welcome to the world of your new favourite blue-eyed soul songwriter!

"Over the last three decades, Doheny's albums have slid in and out of print on LP and CD, budget jobs without any involvement from the self-described 'avatar for casual vulgarity.' Separate Oceans examines Ned Doheny's first ten years adrift in song, pulling together choice album cuts and 11 previously unissued demos. An 8000-word essay is illustrated by images from the archives of noted rock photographers Henry Diltz, Moshe Brahka, Clive Arrowsmith, and Gary Heery, creating the first ever overview of this unheralded marina rocker." - Numero Group

Sunday
May112014

THE BROTHERS AND SISTERS - Dylan's Gospel

Unavailable for the past 10 years with copies of the out-of-print CD selling for hundreds of dollars, it's a joy to see this finally available again. And with Light in the Attic releasing it you're guaranteed a top-notch package; it's a perfect companion piece to their previously released revelatory gospel set from Pastor TL Barrett. Dylan notably found God in the late-70s but, based on the evidence here, it was in him all along. Undoubtedly, my favorite reissue of the year.

"In the summer of 1969, producer Lou Adler gathered twenty-seven of the best backup singers in Los Angeles to cover the music of Bob Dylan during a marathon two-day session. 'Sometimes there were more than twenty-seven voices,' Adler told Rolling Stone in 1969, 'because on several occasions real brothers and sisters stopped by and grabbed a part. It sounds corny, but that was the spirit of the thing. The tape stopped, but they were still singing.' Adler called his gospel choir The Brothers and Sisters of Los Angeles, and they made songs like 'Lady Lady Lay,' 'I Shall Be Released' and 'The Mighty Quinn' sound like they were written to be sung in church. 'You can find something spiritual about almost all of his music,' Adler says today. 'It's something that goes beyond just being a pop song, there's always something deeper than that in a Dylan song.'" - Rolling Stone

Thursday
Apr242014

VA - Let The Music Play: Black America Sings Bacharach & David

One of our favourite Ace compilation series turns to two of American pop's classiest (and quirkiest) co-writers for this set of interpretations that are occasionally familiar (Aretha's stone-cold classic "I Say A Little Prayer," arguably rivalling Dionne Warwick's take on the tune), but more often focuses on outstanding but lesser-known renditions (such as Warwick's aunt Cissy Houston's must-hear version of "This Empty Place").

"Our Black America Sings series has already turned a soulful spotlight on the compositions of Bob Dylan, Lennon & McCartney and Otis Redding. Now it's the turn of Bacharach and David.

Burt Bacharach's music and the lyrics of Hal David have been appreciated by black American artists for over 50 years. Dionne Warwick was the first to record many of their songs and by doing so made them visible to others as a source of hits or album tracks. The pair had no finer interpreter than Warwick
with the possible exception of her male counterpart Lou Johnsonbut all the acts included here demonstrate the quality of their work.

Plans are underway to extend the Black America Sings series, with the next instalment due later this year. In the meantime, here are two dozen of Bacharach and David’s best-known compositions performed by some of the finest soul artists of the 1960s and 70s." - Ace Records

Our “Black America Sings…” series has already turned the soulful spotlight on the compositions of Bob Dylan, Lennon & McCartney and Otis Redding. Now it’s the turn of Bacharach and David.

Burt Bacharach’s music and the lyrics of Hal David have been appreciated by black American artists for over 50 years. Dionne Warwick was the first to record many of their songs and by doing so made them visible to others as a source of hits or album tracks. The pair had no finer interpreter than Warwick– with the possible exception of her male counterpart Lou Johnson – but all the acts included here demonstrate the quality of their work.

- See more at: http://acerecords.co.uk/let-the-music-play-black-america-sings-bacharach-david#sthash.LgkZ7bEu.dpuf

Our “Black America Sings…” series has already turned the soulful spotlight on the compositions of Bob Dylan, Lennon & McCartney and Otis Redding. Now it’s the turn of Bacharach and David.

Burt Bacharach’s music and the lyrics of Hal David have been appreciated by black American artists for over 50 years. Dionne Warwick was the first to record many of their songs and by doing so made them visible to others as a source of hits or album tracks. The pair had no finer interpreter than Warwick– with the possible exception of her male counterpart Lou Johnson – but all the acts included here demonstrate the quality of their work.

- See more at: http://acerecords.co.uk/let-the-music-play-black-america-sings-bacharach-david#sthash.LgkZ7bEu.dpuf

Our “Black America Sings…” series has already turned the soulful spotlight on the compositions of Bob Dylan, Lennon & McCartney and Otis Redding. Now it’s the turn of Bacharach and David.

Burt Bacharach’s music and the lyrics of Hal David have been appreciated by black American artists for over 50 years. Dionne Warwick was the first to record many of their songs and by doing so made them visible to others as a source of hits or album tracks. The pair had no finer interpreter than Warwick– with the possible exception of her male counterpart Lou Johnson – but all the acts included here demonstrate the quality of their work.

- See more at: http://acerecords.co.uk/let-the-music-play-black-america-sings-bacharach-david#sthash.LgkZ7bEu.dpuf
Wednesday
Apr232014

SANDRA RHODES - Where's Your Love Been

A long-overdue reissue of this downhome and laidback funky country classic, perfect for the coming summer (if it ever shows up).

"While Sandra Rhodes made a name for herself singing behind Al Green on his classic Hi Records sides and writing songs including Conway Twitty's #1 single 'The Clown,' her best work missed the public eye (and ear).
 
Where's Your Love Been was Sandra’s 1972 album, recorded at Sam Phillips' recording studio in Memphis and originally released on Fantasy Records. Just as her backing vocals (usually performed with sister Donna and then-husband Charlie Chalmers) appeared on recordings of every genre, Where's Your Love Been moved from country to sweet Memphis soul, the same reason her songs have been recorded by artists as diverse as Skeeter Davis to Isaac Hayes. Co-produced by Sandra and Chalmers, the ten tracks on Where’s Your Love Been include originals like the title cut to a cover of The Rolling Stones' 'You Can’t Always Get What You Want.' To make this album's CD debut even more special, seven bonus tracks from the sessions have been unearthed—all previously unissued!" - Omnivore Recordings

Saturday
Mar292014

VA - Sweet 'n' Salty Popcorn

Popcorn is a genre named by Belgian DJs who, in the late '60s, began spinning slow and medium-paced pop from five to ten years earlier to appreciative dancers. The Popcorn scene grew, remaining vibrant in Europe, and this collection compiled by Saint Etienne's Bob Stanley serves as an excellent introduction with its mix of R'n'B, soul, and smoky Latin-tinged numbers.

"A unique collection! The first-ever UK compilation of Popcorn, the continent's answer to the Northern Soul scene. The atmospheric sound of Popcorn has been an underground club phenomenon in Belgium since the late sixties, and has spread across Europe and hit British clubs in the last ten years." - Cherry Red Records

"What is Popcorn music? Bob Stanley of the band Saint Etienne and the new Croydon Municipal label wants to tell you. 'Popcorn is a genre after the fact, built by curation rather than creation...Its narrative was formed by Belgians in the seventies from records made in the fifties and sixties—there was no such thing as a Popcorn artist because no one had set out to make a Popcorn record in the first place. It was all in the rhythm, which had to suit the unusual 'slow swing' dance, and it could be Latin boogaloo, an orchestrated Italian ballad or an early Tamla Motown single." - The Second Disc

Saturday
Mar292014

VA - Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers

An exciting Soul Jazz compilation spotlighting British library music composers who provided background instrumentals for suspense-laden, action-packed TV shows and films. There are non-stop thrills to be found here amongst the funky breakbeats and jazzy grooves by David Lindup, Johnny Hawksworth and co.

"Library music was meant to be used by film studios or television and radio stations. It was never meant to be commercially available. The music was recorded on spec by music libraries. They often hired young unknown composers, musicians and producers. Once recorded, record libraries sent out demonstration copies of their music to production companies. If the production companies liked what they heard, they’d license it from the music libraries. That was how it was meant to work.

Often, the music recorded by library companies was never licensed. Since then, it has lain unheard in the vaults of music libraries like KPM, De Wolfe, Amphonic and Conroy. This includes the music on Inner City Beat!, recently released by Soul Jazz Records. It features twenty-four slices of jazz, funk and easy listening. It's like returning to what was a golden period in television and cinema." - Dereksmusicblog

Friday
Mar282014

MILES DAVIS - Miles At The Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3

Yet more archival riches arrive via Sony Legacy's Bootleg Series, this time focusing on the complete recordings (four CDs worth!) of Miles' four-night June 1970 residency at New York's Fillmore East (as previously excerpted from/edited together by Teo Macero on Miles Davis At Fillmore), along with bonus tracks recorded in April of that same year at San Francisco's Fillmore West, totalling 135 minutes of music up to now unreleased.

"By the time Bitches Brew was released in April, 1970—and despite receiving a 5-star review in Downbeat—trumpeter Miles Davis was already under fire from mainstream jazz critics as having 'sold out,' despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, rock energy and volume, but if anyone was thinking 'sellout,' it certainly wasn't Columbia Records, who had no idea what to do with side-long improvisational excursions, pasted together in collage-like fashion by Davis' longtime producer, Teo Macero.

But thankfully, the late '60s and early -to-mid-'70s was a time when the emergence of FM radio stations and open-minded music fans made the kind of music Davis and others in his circle made not just accepted, but massively successful...By the time
Bitches Brew was released, Shorter was gone, replaced by Steve Grossman; Keith Jarrett was added to the keyboard mix, playing organ and the occasional tambourine; and percussionist/vocalist/flautist Airto Moreira was recruited to turn Davis' touring quintet into the septet heard on all but three tracks of Miles At The Fillmore, another archival release that demonstrates how the trumpeter may well have been absorbing the music of Jimi Hendrix, Sly & The Family Stone and James Brown, but what was coming from his pen and horn was something else entirely." - All About Jazz

Saturday
Mar222014

VA - Lou Adler: A Musical History

Plenty of classic tunes by legends like Sam Cooke and Carole King on this collection of music produced by Lou Adler, but the real gems are the tracks from lesser-knowns like Dante & The Evergreens, The City and Peggy Lipton. Fans of 20 Feet From Stardom should check out the wonderful covers by The Blossoms/Darlene Love ("Stoney End") and Merry Clayton ("Oh No, Not My Baby"). However, most exciting of all is The Brothers & Sisters' version of "Blowin' In The Wind," a preview of the much-anticipated Light In The Attic reissue of Dylan's Gospel, due to be released April 1st.

"The latest release in our Producers series contains key tracks from the career of Grammy-winning record producer, songwriter, publisher, record company owner, film director and all-round music biz mogul Lou Adler, an architect of the California sound...Adler, whose story is told in more detail in the picture-packed booklet, much of it in his own words, was inducted into the Rock & Roll Hall of Fame as a recipient of the Ahmet Ertegun Award in 2013. 'If you asked me how to succeed as a record producer,' he said on being presented with his accolade by Cheech & Chong, 'I’d say it helps to work with three of the best singers and songwriters: John Phillips, Carole King and Sam Cooke.'" - Ace Records

Adler – whose story is told in more detail in the picture-packed booklet, much of it in his own words – was inducted into the Rock & Roll Hall of Fame as a recipient of the Ahmet Ertegun Award in 2013. “If you asked me how to succeed as a record producer,” he said on being presented with his accolade by Cheech & Chong, “I’d say it helps to work with three of the best singers and songwriters: John Phillips, Carole King and Sam Cooke.”  - See more at: http://acerecords.co.uk/lou-adler-a-musical-history#sthash.nf53htta.dpuf
The latest release in our Producers series contains key tracks from the career of Grammy-winning record producer, songwriter, publisher, record company owner, film director and all-round music biz mogul Lou Adler, an architect of the California sound. - See more at: http://acerecords.co.uk/lou-adler-a-musical-history#sthash.nf53htta.dpuf
The latest release in our Producers series contains key tracks from the career of Grammy-winning record producer, songwriter, publisher, record company owner, film director and all-round music biz mogul Lou Adler, an architect of the California sound. - See more at: http://acerecords.co.uk/lou-adler-a-musical-history#sthash.nf53htta.dpuf
Wednesday
Mar122014

SHIRLEY NANETTE - Never Coming Back

Discovered by Friends Of Sound record store owner/music licensor David Haffner while record-shopping in Fort Worth, TX and passed on to Truth & Soul for reissue, Never Coming Back is a private-press soul find well worth the second life it's now been given, as gritty backbeat-laden, horn-section-accented numbers are balanced with smoky smooth slower, guitar-accompanied tracks, and Nanette's lightly fiery vocal approach is impressively subtle and versatile throughout. 

"The life of any musician is filled with moments that could have sent her career down a completely different path. For Shirley Nanette, it was the recording of Never Coming Back in 1973...Attempts to get the sessions released by one of the major labels of the day came to naught, and the 500 privately pressed albums that Nanette and her husband Al made left her with boxes of vinyl in her basement. While she isn't hurting for work or recognition these days, Nanette is reclaiming at least a small part of her previous musical life with the help of Truth & Soul Records. The Brooklyn-based label reissued Never Coming Back last month, with lovers of rare groove and historians of '70s soul singing its praises at long last." - The Portland Mercury

Tuesday
Mar112014

20 FEET FROM STARDOM / MUSCLE SHOALS (DVD/Blu-ray)

Two of 2013's most critically-acclaimed music documentaries, now finally available on DVD and Blu-ray!

"Directed by Morgan Neville in fan-boy mode (that's high praise), Twenty Feet From Stardom is an exquisitely rendered look at the dialectics of celebrity and artistry, luck and hard work, its conversation laced with smart observations about race and gender...At heart, it's a praise-song for the many black women whose backing oohs and aahs have done the heavy lifting of turning good songs into classics and rock stars into icons." - Village Voice

"The Muscle Shoals sound was built out of conviction, rejection and raw vision. These muscular characteristics are what connected filmmaker Greg 'Freddy' Camalier with Fame Studio founder Rick Hall in the elegant documentary Muscle Shoals. Hall put Muscle Shoals, Ala. (pop. 11,924) on the map in 1961 when he produced the Arthur Alexander hit 'You Better Move On,' which was popularized by the Rolling Stones. He created from a dark and maverick energy that becomes the linchpin of the film. Similarly, Camalier never attended film school; Muscle Shoals is his directorial debut." - Chicago Sun-Times

Saturday
Feb222014

VA - Kent's Cellar Of Soul Volume 3 / VA - Hall Of Fame Volume 3

With the Cellar Of Soul and Hall Of Fame series on the Kent label both reaching Volume 3, you may be asking yourself: do I need another soul compilation from Kent? The answer: of course you do! As usual, there's an embarassment of riches to be found within, from Fred Hughes' yearning "Ooh Wee Baby, I Love You" on Cellar Of Soul to the sweet soul duos by Billy & Clyde and Ben & Spence on Hall Of Fame.

"We present for your delectation 26 mid-to-late '60s classic soul tracks, only six of which are currently on Ace CDs. Inevitably, many are uptempo, but this CD is designed to capture the spirit of '60s soul rather than its later UK dance-centric revision. Several were R&B hits, and a few made the Pop Hot 100, too. Most were released in the UK, some on groovy little labels such as Action, Spark, Soul City, Direction, B&C and Pama. They were the type of records the pirate radio stations would plug from their off-shore floating studios. It was mod music in the sense of new, hip and in the groove, rather than of any elite, exclusive in-crowd." - Ace Records

"Our Fame vault excavation continues to be the gift that keeps on giving for southern soul fans. And what better way could there be to start another soul-filled year than with a new volume of Hall Of Fame. The previous two volumes of the series presented a cross-section of exceptional, and mostly unissued, material from the vaults of Fame studios from the prime years of Rick Hall's funky building on Avalon Avenue in Muscle Shoals. The previous volumes mixed male and female vocalists and added a smattering of groups, but this one concentrates on the recordings by the great male singers who passed through Fame’s doors in the mid-to-late '60s." - Ace Records

Thursday
Jan232014

SHARON JONES AND THE DAP-KINGS - Give The People What They Want

Finished before Jones' recent struggle with pancreatic cancer, both her and the indefatigable Dap-Kings stick to the template they've perfected over the course of five records now, offering up a thoughtfully arranged, freshly throwback, full-throttle half-hour of soul power.

"Bosco Mann’s production treats the horns, backing vocals, and acoustic rock instruments like a small orchestra, fiddling with every tone so that each stands out behind Jones' powerful voice. On upbeat tracks like 'Now I See' and 'Stranger To My Happiness,' each instrument can be picked out of the stereo field, concentrated on, and the pure musicianship at work absorbed.

Whereas I Learned The Hard Way suffered from a lack of variation in songwriting, Give The People What They Want traverses the dictionary of soul and pulls out a few different entries, making it a much more engaging record. 'Get Up and Get Out' recalls Sam Cooke with a loose, jazzy backbeat and interweaving brass; 'Making Up and Breaking Up' touts the album’s catchiest chorus and would’ve been a hit had Diana Ross and the Supremes sang it 50 years ago." - TIME/Consequence of Sound

Sunday
Jan122014

GEORGE JACKSON: Old Friend: The Fame Recordings Volume 3

We're on record as long-standing admirers of Jackson's unique way of conveying both vulnerability and swagger whenever he stood at the mic for a vocal take, and with the recent theatrical success of Muscle Shoals (set to be available on DVD and Blu-ray by the end of February), this third volume from the Fame archives is set to introduce the man to more receptive ears than ever.

"Old Friend, the third volume of George's Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless, these predominantly-unheard songssome of which were written by George's friends and peers O.B. McClinton and Dan Greerare just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the Muscle Shoals-based Fame rhythm sections is all over the majority of these recordings, including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality."
- Ace Records

“Old Friend”, the third volume of George’s Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless these predominantly-unheard songs – some of which were written by George’s friends and peers O B McClinton and Dan Greer – are just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the second and third,Muscle Shoalsbased Fame rhythm sections is all over the majority of these recordings – including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality.

- See more at: http://acerecords.co.uk/old-friend-the-fame-recordings-volume-3#sthash.BUsyp7Dd.dpuf

“Old Friend”, the third volume of George’s Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless these predominantly-unheard songs – some of which were written by George’s friends and peers O B McClinton and Dan Greer – are just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the second and third,Muscle Shoalsbased Fame rhythm sections is all over the majority of these recordings – including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality.

- See more at: http://acerecords.co.uk/old-friend-the-fame-recordings-volume-3#sthash.BUsyp7Dd.dpuf

“Old Friend”, the third volume of George’s Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless these predominantly-unheard songs – some of which were written by George’s friends and peers O B McClinton and Dan Greer – are just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the second and third,Muscle Shoalsbased Fame rhythm sections is all over the majority of these recordings – including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality.

- See more at: http://acerecords.co.uk/old-friend-the-fame-recordings-volume-3#sthash.BUsyp7Dd.dpuf

“Old Friend”, the third volume of George’s Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless these predominantly-unheard songs – some of which were written by George’s friends and peers O B McClinton and Dan Greer – are just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the second and third,Muscle Shoalsbased Fame rhythm sections is all over the majority of these recordings – including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality.

- See more at: http://acerecords.co.uk/old-friend-the-fame-recordings-volume-3#sthash.BUsyp7Dd.dpuf

“Old Friend”, the third volume of George’s Fame recordings, is possibly the best of the three we’ve issued to date. There are a handful of songs which will be familiar via the versions of other acts. Unlike the first two, however, most of the tracks were recorded by George alone. Nevertheless these predominantly-unheard songs – some of which were written by George’s friends and peers O B McClinton and Dan Greer – are just as strong as those covered by Candi Staton, Clarence Carter, Wilson Pickett et al. All would surely have been hits for anyone who did pick them from George’s massive catalogue of potential hits.

The fabulous musicianship of the second and third,Muscle Shoalsbased Fame rhythm sections is all over the majority of these recordings – including, on a couple of cuts, the stinging guitar work of Duane Allman. None of our featured tracks has appeared on CD before, which makes their presence here all the more vital; all but two have never been issued before. It’s a real pleasure to be able to keep George Jackson’s name alive with music of outstanding quality.

- See more at: http://acerecords.co.uk/old-friend-the-fame-recordings-volume-3#sthash.BUsyp7Dd.dpuf
Monday
Nov182013

TIMMY THOMAS - Why Can't We Live Together (Expanded Edition)

The king of one-man soul's crowning achievement has finally been remastered. Sounds like a futuristic blast from the past, even today!

"Why Can't We Live Together was the first of four albums Thomas recorded on Glades Records, and with the title track released as the first single in late 1972, Thomas had his first and biggest hit with ‘Why Can’t We Live Together,’ which peaked at #1 R&B and #3 Pop in the U.S., and #12 in the U.K. [...] [The title track] has a very stripped-down production, a sound echoed throughout the album, with Thomas’s soulful organ played in an improvisational style over the rhythm section, giving room for his impassioned vocals. [...] BBR is very proud to bring you Why Can't We Be Together, completely remastered and repackaged with extensive liner notes, extended bonus content, and a brand new interview with Timmy Thomas." - Big Break Recordings